The Voodoo Lab Sparkle Drive is an overdrive pedal built on an interesting concept. It is has an 808 Tube Screamer style overdrive circuit to boost the signal, and a "clean" control blends back in clean but "boosted" signal, which is supposed to add back in some of the attack and feel which is lost in a strictly overdriven signal that is under compression. Its very similar to playing through a clean amp and a distorted amp and blending the two sounds together, which has been done by numerous guitarist in search of that mystical tone in their head.

Like every other Voodoo Lab pedal, the Sparkle Drive is 100% analog and hand-wired.It features true bypass switching and comes in a heavy-duty cast aluminum casing with a rugged metal switch. It even has a 5-year warranty.

The Sparkle Drive has 4 knobs, 2 of which really control the thing.

Basically at full blast, this pedal is like a crunchy classic rock overdrive, not a high gain distortion. Rather than scooped or bottom heavy, its more of a thick but midrangey sound thats sonically somewhere around what you would expect from a Tube Screamer 808, which is what it is supposedly based off of anyway.
The name Sparkle Drive is apt here, because being able to blend back in a boosted clean signal to the signal adds a bit of transparency, clarity, and sparkle to the tone, though it does diminish the gain.... which is already only moderate at best. So naturally, my favorite way of using this pedal is wide-open in front of my tube combo already running at slight boost, and then In just adjust the "clean" knob according to my mood.
Typically, I play my Ibanez Ghostrider with Gibson PAF humbuckers and occasionally a Telecaster. This pedal loves both of them and interacts differently with the different styles of pickups. When it comes to hand-wired analog pedals, you really have to try it out with your rig to know how you're gonna like it.

The Micro Vibe is Voodoo Lab recreation of the original Dunlop Univibe from the 60's and 70's that replicated the effect of a rotating speaker cabinet. It was most famously used by artists such as Jimi Hendrix and others as as well. Voodoo Lab has created a fine product here, by offering a pedal that is 100 percent analog and even hand-wired, with true bypass. Pedals like this should make pedal-loving players drool.

The Micro Vibe accepts 9V batteries, and is packaged in a rugged metal casing that embodies simplicity.

It doesn't get simpler than this, The Micro Vibe has two knobs, for "intensity" and "speed". To state the obvious, the "intensity" knob controls the depth or degree of roatary speaker effect, and the "speed" controls the relative speed of the rotating speaker. No manual needed. Plug and play.

If you like psychadelia, or even just classic rock you can appreciate what a rotary effect can do to space out your sound. Well, the Micro Vibe definitely delivers. It can offer you a subtle chorusy tremolo sound, all the way to a deep swirling pulse that is lush, earthy, and organic sounding. Unlike a lot of the hand-wired pedals from the 70's, this one is a bit more predictable; you CAN'T get a bad sound out of this box. It does what its supposed to, and not much else. Playing with the speed dial will give you some eerie sounds, but nothing too crazy. Its just a good all-around tremolo pedal that is quite good at recreating the Univibe sound, which is something even the Univibe reissues don't really do. Voodoo Lab knows what they are doing.
This pedal interacted nicely with my small tube combo and my other floor effects, like placing distortion in front brings out a bit more of the modulation/phaser sound. Add in a delay and it gets spacier, a flanger and it gets downright scary-wierd quick.

4 12ax7 tubes..PCB.. 3 channels.. Clean, dirty... and more dirty. Shared eq, separate volume on rhythm/lead channels (good to set lead boost) These two channels are very,very close.. Powerful signal..can push poweramps pretty hard. Direct out/XLR direct out, 1/4 outs.. NO effects loop. (Yuck) Mid boost button for distortion channels, bright switches for all 3 channels.
No effects. This is strictly tone shaping and gain.

Very simple. Knob turners dream. Buttons reeeeally easy to push. A monkey could figure this out. Getting a good sound.. well, you have to know what you like. This amp has a fair amount of complex mids... I don't know if you can dial these out completely like you could with a Boogie Recto for example. The eq is very responsive..I find myself dialing back the trebles overall since I am always striving for the smoothest sounds possible.. (while having loads of gain) The manual is easy...I think it is like... 3 pages.

It does suit my style. The sound overall is smooth.. creamy.. and still heavy heavy. I can play metal.. dial back my volume to hard rock-ville.. add some slight overdrive on the front end and it screams. Using Les Pauls, Strats, Tele's, a few other types with this. Carvin T100 poweramp, Digitech GSP2101 for effects.
Overall, I would say the character of this amp is somewhere between a Soldano and Marshall tone.. A bit smoother than the typical Marshall tone.. ( I play next to my rhythm players Marshall TSL stack) but with just as much attack. (and more character)
I need to run the gamut of tones for my originals. From crystal clean to molten gain. I run this thru parametric e.q.'s.. loads of effects.. and it retains its character.
The gain channels are the standouts here. Searing, yet smooth, detailed, but with enough hair on it to let you know it's heavy. The clean channel... uh. Hmmm. Honestly, this is rather 2 dimensional. The least exciting part of the amp, but with a parametric you can get a good approximation of Twin tones. If you are using effects, it is certainly more than adequate. It is not a "bad" tone... just not as good as the distortion channel counterparts.

The Voodoo Lab Pedal Power 2 Plus is exactly what it sounds like: a power supply for multiple guitar pedals. Voodoo Labs states that each of the 8 9V outputs is completely isolated, short-circuit protected, and highly filtered and regulated to provide power that is free of hum and noise. I will venture to guess that most people using standard wall warts will probably benefit from lower noise by using this supply, as I did. Another benefit is actually ditching all those separate adapters and plugging everything in using one three-prong plug.

As stated previously, the Pedal Power 2 Plus features 8 outputs, which can be configured and used to supply power in several ways. The first four outputs can be used to supply Boss pedals that require ACA power adapters. Outputs 5 and 6 can be used to power Line6 modeling pedals, and outputs 7 and 8 allow voltage adjustments between 4V and 9V to simulate worn batteries. All outputs are configured for these options via a small set of DIP switches on the underside of the unit. There is also an AC auxiliary outlet with a max rating of 200W (they strongly warn not to plug your amplifier into it), which is nice for people with an oddball AC pedal like the Digitech Whammy which usually can't be supplied by a 9V pedal board supply.

This unit can even use two outputs together to power an 18V pedal, though the required connector is not included. And annoyingly enough, while there is a nice selection of connectors supplied, someone with a full pedal board is likely to require additional connectors. The 8 outputs can all be used as normal 9V, and since that is the most common means of powering pedals, it might seem likely that it would come with 8 connectors, but it only comes with 6. There are two additional connectors for Line6 modeling pedals that use a different barrel connector, a 9V battery snap that allows powering a pedal that doesn't have a jack, and 3.5mm mini-plug adaptor. For things like reverse-polarity barrel connectors and 18V connectors, the manual advises you to contact Voodoo Labs.

While it's nice to have a variety of connectors, to me it would make sense to include 8 of the standard connectors because they are the most common. On the plus side, even if you require a seventh connector, at the very least you can use the battery snap and still power the pedal, but this is a little less than elegant and probably not preferred by most people. In my case, I needed only 6, so I lucked out. I don't really plan on buying any Line6 modeling pedals, so the extra connectors for those are a bit useless to me, as is the mini-plug, but you never know.

I applaud Voodoo Labs for their excellent manual. It's short and to-the-point, but includes thorough instructions about setting up pedals and even safety warnings to prevent damage to any of your equipment, leaving no doubt as to whether you might be setting anything up incorrectly. It even includes advice about setting up the actual pedal board itself. Many manuals today are typically either incomplete or difficult to understand, and while there's not much to this unit, it outlines everything it has to and even goes a little beyond, and in my opinion it demonstrates a commitment to their customer that many companies lack. Voodoo's manual makes sure it has your back.

One of the nice touches about this product is that its height was kept short to allow it for fitting in a rack, if you so desire. And even though it only comes with certain connectors, Voodoo Labs can supply just about any connector you'd ever need, like if you wanted a longer length. I initially thought the lengths were a bit short, as I have my pedals sprawled out in a line, but they turned out to be plenty long enough (though I can imagine situations where a person might need longer).

I bought this from Musicians Friend for $170, and while the price is a bit steep, I think it's an invaluable piece of equipment, and is indispensable to my setup. It provides pure, clean power, simplifies the pedal setup, and makes for a much cleaner installation. Voodoo's manual suggests that their support is top-notch, and the unit oozes quality. I'm even more inclined to look into some of their effects pedals after owning the Pedal Power 2 Plus.